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Darwyn cooke catwoman
Darwyn cooke catwoman






darwyn cooke catwoman darwyn cooke catwoman darwyn cooke catwoman

At that point it was just going to be Catwoman #82, but when he sent in pencils to DC, we were suddenly getting phone calls. So we got talking about the idea of revamping Catwoman, and that he would only have to stay for the first storyline, because there was some delay on New Frontier, so he just barely had room in his schedule to pencil these four issues. So at Comic-Con, Cameron introduced me to Darwyn, and I told him, “Hey, I’m taking over Catwoman, and I have permission to redesign her costume.” Hoping that would lure him, that chance to redesign and redefine a classic character. Then it turned out Cameron Stewart, who was inking Deadenders, actually shared a studio with Darwyn and Chip Zdarsky and a few other guys. I said, “If we could just get this guy, that would be amazing,” and Matt said, “He’s got this big Justice League project that he’s been working on, so I doubt we’ll get him,” and that was New Frontier. Out of an interview with Ed Brubaker about the start of the Catwoman project with Darwyn Cooke, who was actually already working on his "DC:New Frontier"-project: "We were looking around for an artist, and Matt sent me xeroxes of the first 20 pages of Darwyn Cooke‘s Batman: Ego. In combination with page 17 this is a nice, nearly abstract Dyptich of one of the masters of comic art with beautiful inks by Mike Allred. The first case is setting the motif for the cover of this issue (see detail).








Darwyn cooke catwoman